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In Bamboozled (2000), Spike Lee addresses the legacy of blackface minstrelsy, and raises the question of who is wearing the blackface now. Many of the Black characters in television comedies today are derived from the same racist stereotypes of blacks that have existed since the days of minstrel shows. The FOX Television sitcom, South Central (1994) was, in the words of Brotherhood Crusade President Danny Blackwell, "the Amos 'n' Andy of 1994." The Parent 'Hood (1995-2000), a program aimed at family viewers, relied on working class coon and mammy caricatures for a good portion of its humor.
Racism Essay - 1633 Words - StudyMode
Most Blacksploitation films were small, independent productions that dealt with crime and the effects of illegal drugs on the inner cities. The cause was usually portrayed as being a result of White racism and exploitation of poor Blacks. Most White cops and politicians were portrayed as corrupt, forcing Black antiheroes to take matters into their own hands. Heavy on graphic sex scenes, gratuitous nudity and violence, as well as stereotypes of pimps, whores, and black criminals, the films eventually generated a backlash led by Black leaders that put an end to Blacksploitation films by 1980.
free essay on Racism in The Adventures of Huckleberry Finn
The heritage of blackface minstrelsy played a major part in the evolution of the song, dance, comedy acts and routines that vaudeville popularized, but actual performances in blackface were mostly relegated to a single skit or a song. However blackface in vaudeville also provided opportunities for Blacks who performed in blackface. The success of Black comedians such as Ernest Hogan, Bert Williams, and George Walker opened the door for multiracial casts and for later black performers to take the stage without blackface.
Essay/Term paper: Racism in colleges - Dream Essays
The most popular radio show of all time was The Amos 'n' Andy Show. The characters were created by Freeman Gosden and Charles Correll; two white actors with blackface and vaudeville experience. NBC began broadcasting Amos 'n' Andy on radio August 19th, 1929 and it was an instant success. It was the first radio program to be distributed by syndication in the United States. The show ran as a nightly radio serial from 1928 until 1943 and as a weekly situation comedy from 1943 until 1955. Portraying blackface racist stereotypes on radio was a bit of a challenge because there were no visuals. The stereotypical voice characterizations needed to be even more exaggerated to help listeners distinguish between characters.