Opera Essay - Samples & Examples

Although Erik does occasionally indulge in violence, he does not seek out opportunities to exercise it. He leaves people alone unless they ignore the warnings and venture too far into his territory. The pranks he plays on people at the Opera are mostly harmless. Nobody is hurt by the falling chandelier, and the only reason he kidnaps Christine is because he thinks he is going to lose her otherwise. Indeed, Raoul is the one who shoots at Erik first when he sees his eyes glowing in the dark. At Christine's request, Erik spares the lives of Raoul and the Persian. He believes himself redeemed by her expression of love after she gives him a kiss.

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Free The Phantom of the Opera Essays and Papers

Free The Phantom of the Opera papers, essays, and research papers.

And this, in fact, was another hallmark of the stereotypical opera seria: the improvised ornamentation by the singer of the aria, which most often occurred in the repeated da capo section, was the pride and joy of each singer, especially the culmination in the grand cadenza, which, although much criticized by the classicists, was nonetheless an integral part of vocal performance in the Italian opera.

A frequent problem for composers of opera seria was that, due to the rather structured forms of almost all ingredients of the music, it was difficult to achieve much contrast, in either action or music.

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In essence, then, the opera seria, in the hands of most composers, was little more than a mere stringing together of many different arias and recitatives.

They make the case that genres specially addressed to a female audience--such as the soap opera--should be examined critically.

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The opera seria of the later 1700's and early 1800's underwent many alterations: most notably, the da capo aria lost its preeminence, while more spectacle, grandiose choral and orchestral effects were added to the score, and the boundary between aria and recitative became much less definite.

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The Phantom of the Opera study guide contains a biography of Gaston Leroux, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

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These newer arias, as stated, had become much longer, but had retained their simple melodic lines, as well as "a certain blandness of rhythm and harmony." On the whole, in the period after 1770, the increasing diffusion and freedom in opera seria can be seen, and this phenomenon eventually led to its abandonment as a pure and strict dramatic form.

The other prominent form of opera in Italy in the eighteenth century was the Italian comic opera, or opera buffa.

But generations later, he was re-established as a figurehead and icon of classic ancient Italian opera, a designation he possesses even today....


The Phantom of the Opera essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Phantom of the Opera by Gaston Leroux.

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Imagine you are in a darkened theater and on stage are the actors

Wagner led an influential life never losing confidence in himself from financial debt due to his operas not meeting success to being too sick to even compose his music.

Free term opera essays papers. essays. Narrative Essays One of My Worst Days by Gabriela Arrevillaga Read other essays by Gabriela Arrevillaga Last weekend I had one

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The influence that opera buffa had on these developments cannot be denied; as Sadie states, European intellectuals, who had previously regarded opera buffa as "an inferior art form, began to reappraise their attitude, and a number of them came to admire it for its vivacity, expressiveness, and naturalness, in the sense that it dealt with real human emotions as opposed to the lofty, artificially contrived ones found in opera seria." In general, the Italian and European publics moved away from the strict opera seria, and once again, the comic and serious paths converged, back into a form from whence they had both come; now, however, both had changed to fit the new standards of the public, who wanted not only comedy, and not only tragedy, but a mixture of both forms.