Essay on Mis Objectives and Uses - 3719 Words
Mis 620 Essay - 2740 Words | Major Tests
first opened in Chicago, where its story is set, in 1971. To a large extent, the 1970s marked the end of the Rodgers and Hammerstein revolution. It was the decade that gave permanent berth to both the concept musical and the rock musical, both explored during the sixties but now taking their rightful place in mainstream musical theatre. These were shows that rejected the sunny optimism of earlier decades and instead revealed the feelings of rage and loss that pervaded America in this era of Vietnam and Watergate. The concept musical had been germinating since Marc Blitzstein’s very political, very angry in 1937, but it wasn’t until Stephen Sondheim and Hal Prince’s in 1970 that the concept musical was in a position to change everything. The rock musical had been born with in 1958 and became mainstream with in 1968, but it became a fixture on Broadway during the seventies, partly because the definition of was so pliable, so inclusive by then. A rock musical could be , ornone of which sounded anything like the others; and yet they all shared a disdain for authority, a taste for rebellion, and a sexual frankness to which only the language of rock and roll could give full voice.
Mis Fastfit Essay - 3000 Words | Bartleby
The fact that Doody plays the guitar is very significant. The guitar was symbol of rock and roll, and by extension, of teenage rebellion. An electric guitar was a (just watch how rock Chuck Berry physically used his guitar). The guitar represented freedom, teen culture, emotion, romance, angst – and quite often, The guitar instilled ! That also explains Johnny Casino and the Gamblers in ’s prom scene – boy wanted to be a rock and roll star. 1959 was a pivotal moment for rock and roll. Up to that time, rock and roll addressed teen angst and misfired romance; but once the sixties arrived, rock songs would tackle war, injustice, sexual oppression, drugs, hypocrisy and authority, religion, and politics. The songs in straddle those two worlds, posing as the simpler songs of the fifties while subtextually delivering potent social commentary and satire.