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Italian 3020 Dante’s Divine Comedy
(Prof. Saiber)
One of the greatest works of literature of all times, Dante’s Divine Comedy leads us through the torture-pits of Hell, up the steep mountain of Purgatory, to the virtual, white-on-white zone of Paradise, and then back to where we began: our own earthly lives. We accompany Dante on his allegorical journey, armed with knowledge of Italian culture, philosophy, politics, religion, and art history. We piece together a mosaic of medieval Italy, while developing and refining abilities to read, analyze, interpret, discuss, and write about both literary texts and critical essays. Some years in English, 200-level; some years in Italian, 300-level.

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Art Comparing Medieval Art to Renaissance Art Essay ..

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History 204 Science, Magic, and Religion
Fall 2014 (Prof. Denery)
Traces the origins of the scientific revolution through the interplay between late-antique and medieval religion, magic, and natural philosophy. Particular attention is paid to the conflict between paganism and Christianity, the meaning and function of religious miracles, the rise and persecution of witchcraft, and Renaissance hermeticism. (Same as Religion 204.)

This lesson will include essay topics on medieval art history

If there is a theme to this history, it is perhaps the development ofpolitical , though, to be sure, ideals of (see, e.g., Tierney 1982, Pennington 1993a, Lee 2016), , and (on these last two, see, e.g., Skinner 1978; Hankins 2000) may befound among different medieval authors.[] The liberal trend was helped, perhaps paradoxically, by the closeinterweaving of religion with other threads of medieval life. Thismeant not only that religion influenced all aspects of life, but also,reciprocally, that the other departments of life influenced religiousthinking. The influence of the Roman Law and Aristotle, and of theculture of late antiquity familiar to the Fathers of the Church, alsomeant that ideas originating outside the framework of the Christianreligion had an impact on religious thinking. The duality betweenkingship and priesthood (perhaps originally due merely to the factthat Christians had no political power), and the conflicts thatresulted from that duality, meant that religious thinking had toaccommodate the concerns of powerful people who were not officials inthe religious institutions.

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Ernst Kitzinger, in a publication of 1940, stated “Classicalart became Medieval before it became Christian” (anincisive assessment of changes in the art of the late Romanperiod that is discussed in a book entitled Early MedievalArt with illustrations from the British Museum (Bloomington:Indiana University Press, 1940, p.16 not in the list ofintroductory books in this bibliography) It is important toremember that the new creed is not a primary cause of thechange, but rather that the art that the Christians tookfrom their pagan contemporaries was already on its way tobecoming medieval art. It derived from two sources, theClassical and non-Classical (some now say ‘anti-Classical’)artistic traditions seen in the late pagan empire.

This is a 8-page paper that addresses the Fusion of Pagan and Christian Themes in Early Medieval Art. The paper is presented in MLA format and relies on 7 sources.

Medieval Christian Europe - With the ..

English 2107 Introduction to Medieval British Literature
Fall 2013 / 200-level Lecture, Prof. Solberg
Introduces students to the literature of medieval Britain, excluding Chaucer. The course begins with the first poem ever written in English (or rather Old English), continues through tribal sagas (Beowulf, the Welsh Mabinogian, the Irish Tain) and Arthurian romances (the Lais of Marie de France, Sir Gawain and the Green Knight), and concludes with extensive coverage of the literature of the fifteenth century: mystical theology (The Showings of Julian of Norwich, The Cloud of Unknowing), gory martyrdoms (Christina the Astonishing, the York Passion Play), lyric poetry ranging from the numinous to the obscene (anonymous and by poets including Dunbar and Skelton), the global travel narrative of Sir John Mandeville, and tales of Robin Hood. Students will gain a very rudimentary ability to translate Old English as well as reading proficiency in Middle English.

Middle English Literature: Essays and Articles. Extensive resource of textual criticism, scholarly and student essays, and articles on Medieval texts.

Christianity and Religious Freedom in the Medieval …