The term should not be confused with .

SPATIAL ORGANIZATION: The arrangement of details or description in an easy-to-follow manner based on their location. For instance, an author might organize materials from left-to-right, front-to-back, east-to-west, near-to-far, inside-to-outside, etc. This method contrasts with chronological organization (i.e, arrangement in terms of time), or order of importance (i.e., arrangement in terms of least important to most important, or vice-versa). The method has been popular in composition partly because it was a traditional tool among classical rhetoricians. Such rhetoricians would encourage public speakers to memorize lengthy speeches by mentally constructing a "palace of memory," an imagined walking tour of a familiar place like a building, with the various points to be covered in the speech corresponding to different objects or locations in this imaginary structure. The 6th-century poet Simonides of Crete is one of the oldest classical figures to use the method.

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Many later poets and critics disdained Skeltonic verse. James VI, for instance, declared it fit only for satirical poems, and the Romantic poets considered it ungraceful.

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rdyephs | Dye, English 12, Pelham High School, AL

That edition includes an excerpt (176-82) from Kenneth Branagh’s introduction to the play, in which he describes the full text as offering more contextual richness than typically abridged performance versions: the background story of Polonius and his agent Reynaldo, and the plotting scene between Claudius and Laertes that sets the stage for his climactic duel with the prince.

Dye, English 12, Pelham High School, AL ..

a word that can be singular or plural, which can also function as the headword of a clause or the object of a preposition. It can be modified by adjectives, but it has no tense," etc.

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But Tolkien goes further than Milton in subcreation. On a more artistic level, Tolkien thought God also gives humans the opportunity to participate in creative imagination. We can design, build, or imagine our own designs and artwork. That artwork--if it is beautiful and true--can echo, enhance, mimic, or even go beyond the beauty of the natural world--thus expanding God's creation and pleasing the Creator that we imitate His activities. For Tolkien, humans had a moral and artistic duty to use their imaginations and to create fictional worlds, following the divine example. In particular, Tolkien thought writers, poets, and artists had a moral obligation to provide an "inner consistency of reality," i.e., that they must take the time to fill out the world and inhabit it--to give it a history, depth of detail, and sufficient scope for it to be a complete world where readers or viewers can lose themselves (see Duriez 191-92). Subcreators could craft their art to make it self-consistent and large enough to evoke wonder, a sense of what Tolkien calls "" or what David Sandners calls the . Just as the rational mind desires "a unified theory to explain or cover all phenomena in the universe, the imagination also seeks a unity of meaning appropriate to itself," as Duriez puts it (192). Such world-building would be a moral good, per se, regardless of any didactic teaching or moral message tacked on top of it. In this regard, Tolkien often heavily criticized C.S. Lewis's Narnian books. He felt Lewis was too focused on allegory and didacticism, and that misfocus caused the "inner consistency of reality" (Duriez 192) in his tales to suffer.

Suspense is typically a vital component in genres such as , , , , and .

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SURA: A section or chapter in the Koran consisting of varying numbers of verses (Cuddon 936). Not to be confused with , below.

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The latter is an intense, whispered, conspiratorial conversation in which the grief-stricken Laertes (Michael Maloney) delivers the line “Thus didst thou” (4.7.55) as “Thus diest thou” — through gritted teeth, and with steely resolve. And when Claudius (Derek Jacobi) ruminates on their backup plan to kill Hamlet, it’s his upraised glass that makes him think of the poisoned chalice (4.7.155-61).