SparkNotes: The Great Depression (1920–1940): The …
Young woman of the 1920's who defied traditional ideas of proper ..
People formed many racist groups in the 1920s who continued promoting racist ideas during the 1930s.
Women and children of different ethnicities
American farmers were failing to sell to off their huge crop surpluses
The result was rural depression that affected millions of Americans
Farmers abandon their lands --> "Dust Bowl"
During the 1920s, farmers could still make a living by working on their land and the agricultural economy brought profits.
did not possess exclusive rights to Traditionalism
Farmers' incomes declined but farming could still be profitable.
People living in the country did not participate in the economic gains.
In the 1930s: many minority groups are held responsible for the high unemployment rates during the Great Depression.
This theme presents a continuous evolution from the 1920s to the 1930 because racial discrimination remained important in both decades.
America experienced a time of great wealth and new modern ideas
When we think of the 1920’s what comes to mind is prohibition, bootleg, flappers, speakeasy, organized crime and at the end of the 1920’s the Great Depression....
Free Middle-East History Essays and Papers - 123HelpMe
Clearly we must heed Evans' claim that one has to understand the Klan and the "half conscious impulses" it expressed in order to understand the public life of the 1920s.
Free Middle-East History papers, essays, and research papers.
. Before introducing his long-running Sweeney and Son in 1933, Alvah Posen made his debut in the comic strip world with Them Days Is Gone Forever, a lighthearted view-of-the-times that was syndicated in American newspapers from 1921 to 1927. Its innovative format featured modern scenarios in four frames—the first three progressing with rhyming lyrics, the fourth delivering the climactic refrain: "Them Days Is Gone Forever." (The strip was later retitled Them Days Are Gone Forever). Above the strip ran a line of music to which the strip's "lyrics" could be sung. With gentle humor, Posen satirized the everyday foibles of human nature and the distinctly American rites of passage (leaving bachelorhood was a favorite)—and bade farewell to aspects of life "gone forever" in the 1920s, including low prices, legal alcohol, naive well-behaved children, and, as seen in the eight strips presented here, the demure tradition-bound woman of old. (5 pp.)