Free media Essays and Papers - 123HelpMe
Free media papers, essays, and research papers
Most people in our photos are pretty young (23.7 estimated median age). Bangkok is the youngest city (21.0), whereas NYC is the oldest (25.3). Men's average age is higher than that of women in every city. Surprisingly, more older men (30-) post selfies on Instagram than women.
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This essay reviews some of the most recent debates on the selfie phenomenon and places it into a broader context of photographic self-portraiture, investigating how the Instagrammed selfie differs from its precursors. The Selfie phenomenon should be viewed in the light of history of photography as a sub-genre of self-portraiture and as a new subject of vernacular photography studies as well as treated as a side product of technological developments that have led to the easy availability of image-making devices and image-sharing platforms.
Self-Hatred and Addiction - Refind Method
As large-scale media visualizations from the Selfiecity database of images shot in five cities on four continents indicate, the selfie has become a truly transnational genre that is as much about placemaking as it is about the narrowcasting of particular faces and bodies. At the same time, the scholarly literature around this specific form of self-representation through closely distant mobile photography has struggled to keep up with theorizing emergent new media practices that utilize lenses, screens, mirrors, and armatures in novel ways and generate compositions with distinctive framing and posing that mark belonging to selfie taxonomies.
Requiring school uniforms essay introduction
Writing about media interface presentations and their relation to larger cultural trends is tricky. Different elements are constantly added, changed or removed, new services are frequently developed and released to public use, and new technologies capture the imaginations of many. Within this flux, what can we say about social photography in particular and contemporary image productions in general, that is not confined to the characteristics of one platform or another? Can we identify overarching processes that cross platforms and are destined to change the way we interact with images?