The Writer's Chronicle strives to:

CNF typically considers only unpublished work and seeks first publication rights. After publication, CNF typically retains certain reprint rights, and some other rights revert to the author. We find that when people ask this question, they usually mean, “I’m submitting a chapter from a book I’m writing, and I need to have the rights to it.” Please know that we absolutely do not retain any rights that would interfere with your ability to publish your work in your own book.

Submit your work . Include a short cover letter and bio.

Manuscripts should be addressed to the Fiction Editor, Poetry Editor, or Nonfiction Editor at:

Regular reading period: August 1st to January 31st.

We’re open to all types of creative nonfiction, from immersion reportage to personal essay to memoir. Our editors tend to gravitate toward submissions structured around narratives, but we’re always happy to be pleasantly surprised by work that breaks outside this general mold. Above all, we’re most interested in writing that blends style with substance, and reaches beyond the personal to tell us something new about the world. We firmly believe that great writing can make any subject interesting to a general audience.

The reading period for the Arts & Letters is February 1 – March 31.

Unlike many magazines, Creative Nonfiction draws heavily from unsolicited submissions. Our editors believe that providing a platform for emerging writers and helping them find readers is an essential role of literary magazines, and it’s been our privilege to work with many fine writers early in their careers. A typical issue of CNF contains at least one essay by a previously unpublished writer.

Vela also publishes a series of columns for which we accept short-form submissions: , , , , and .

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AFAR’s primary readers are curious, engaged, active citizens of the world—college-educated men and women who have good jobs and high incomes. They are looking for experiences and connections that touch them personally. They are also looking for authenticity in people, places, and things. They seek these values in all facets of their lives, but they find a special thrill in doing so through travel.

This is an all media exhibition with the theme of landscape.

In Resident, a local introduces readers to the people, places, events, and stories of his or her neighborhood, revealing what connects this person to the place in which he or she lives. In addition, the resident offers his or her insider’s picks for intimate points of interest to guide the reader who might visit there.

Your donation makes sure women writers get the attention they deserve.

3-dimensional art is not an acceptable medium in this competition.

Unfortunately, due to the high volume of submissions we receive (in the neighborhood of 100+ essays per month), we can’t send detailed feedback or responses. If you are interested in having a professional editor review your manuscript, we encourage you to check out CNF’s and .

Submissions to The Writer’s Chronicle may fall into one of the following categories:

$15 for 1 image, or $30 for up to 3 images, $40 for up to 5 images.

The Writer’s Chronicle publishes appreciations of contemporary writers whose work came into prominence after 1965. Appreciations are not profiles or memoirs; instead, we seek close readings of an important author’s work and an analysis of the author’s contributions to our culture and to the mastery of craft. You may include some personal anecdotes to portray the author more vividly, but mostly self-referential or sentimental appreciations, of course, are not acceptable. The appreciation should answer the questions: What can I as a writer learn from this writer? What has this writer contributed to our culture? Appreciations are generally between 2,000 and 5,000 words.

Mane Gallery announces a call to artists for an online art exhibition, March 1-31, 2018.

Cash Prizes for first 3 places + People's Choice Award.

If you have a specific idea for Wander, please e-mail your query to . Include WANDER (in all capitals), samples of your previous work, and have patience as we receive a lot of pitches.